I don’t use the FP Filter tool too much because I don’t like it for color, while for B&W got used to work with Channel Mixer and some FP renderings. Maybe some find them useful, but for this kind of work there are far better tools around. I don’t use Frame, Texture, or Light Leak, which look quite primitive, like some misplaced plastic. I use FP presets and renderings for experiments and learning, perhaps to “steal” some ideas, not that often for exports (yet). in landscapes and nature photography – for some photos the three sliders can make a real difference. Use Fine Contrast for portraits and to bring out the details in highlights or shadows e.g. Instant Watermarking, but this one seems to be included in PL7 Elite, although it’s still in FP palette (?).Ĭreative Vignetting, Blur, and Grain are on a basic level, but still useful.But there is no hint in the camera list of DxO. for the X-H2S file (but not for my old Fuji X-E4 files). In Capture One 22 I can choose Nostalgic Neg. IMHO, some FilmPack tools should be included in PhotoLab, the first two of the following being a must for me: I tested it with a downloaded Fuji X-H2S raw file from dpreview. PS: except of course DxO does not know how to get focusing distance from Fuji raw files ( not only for X-T4 ) and hence all optics correction in Photolab must be always done manually, guessing the shooting. It is packed with innovative tools and features that will handle most photographer’s needs. I was mainly interested in SilverEfex but found FilmPack good enough for B&W and I don’t do B&W too often. DxO PhotoLab 7 ESSENTIAL is a comprehensive and powerful RAW photo editor at an excellent price. Integration with PhotoLab is primitive, making it too distracting for me to use. I gave Nik a try, but didn’t find enough time to have a good look at it. Plus one here, after only 6 months of PL+FP+VP experience. Voigtlander Super Wide Heliar 15mm F4.Once you get used to using these programs on a regular basis, you’ll never want to do without them again.Voigtlander Nokton D 35mm F1.2 Z (Nikon Z).Viltrox 85mm F1.8 Mark II XF (Fujifilm X).

Viltrox AF 75mm F1.2 Pro XF (Fujifilm X).Tokina FiRIN 100mm F2.8 FE Macro (Sony FE).Tamron 70-180mm F2.8 Di III VC VXD G2 (Sony FE).More importantly it has a lot of very useful features and the deep prime noise reduction is. without losing the detail in the shadows so I opted for a type of Black and White Film and a rendering of Fuji Neon Acres 100 with an Intensity of 66. Challenges for DxO in 2023 First Impressions New Features in PhotoLab 7. I downloaded it and it works with some sample. The version I have used for this review is DxO PhotoLab Elite 7.0.2. C1 has a built-in film simulation but all the RAF files are imported using the default camera applied film. Just a heads up, I read somewhere that dxo Photolab cant deal with the Fuji x trans raw files, but I dont think that is true as of right now. Tamron 35-150mm F2-2.8 Di III VXD (Nikon Z) Hi all, Just started using Fuji together with my Canon and wanted to share some insights from PL5 compared to Capture One Express that is suggested by Fuji (and free).Tamron 17-50mm F4 Di III VXD (A068) (Sony FE).

Leica Vario Elmarit SL 100-400mm F5-6 (L-mount).

The latest DxO Optics Modules update includes the following cameras and lenses, each optimized for specific camera and lens combinations: Cameras DeepPRIME and DeepPRIME XD give photographers unbelievable noise reduction and. These new Modules improve quality from Sony’s new A7C II and A7C R cameras, recent DJI drones, and numerous lenses from Fuji, Sony, Leica, Tokina, Tamron, Viltrox, TTartisan, and Voigtlander.Īvailable now – and free to download – these Optics Modules can be used across DxO’s complete range of software:Įach DxO Optics Module is individually created by our dedicated team of technicians, who analyze 1000s of camera and lens combinations, making sure every profile is perfectly attuned to your gear. DxO PhotoLab 7 is the most advanced, end-to-end, RAW photo editing software.

In more details, Fuji S3/S5 RAW pictures are using non Bayer sensors (Super CCD), which was requiring a fully dedicated RAW engine in our products. With this latest release of laboratory-grade profiles, DxO offers automatic corrections for more than 89,000 camera and lens combinations, guaranteeing sharper images, free of distortion and imperfections. This only happened with Fuji Super CCD cameras, and be sure it won’t happen with another camera model. These 1,872 new DxO Optics Modules make your cameras and lenses better Using DxO’s masterful corrections feels like you’ve upgraded your photo kit for free! For the first time ever, DxO PhotoLab 5 now supports Fujifilm X.

Dxo photolab 2 fujifilm